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Summary
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Knots
was published in 1970 and its title was inspired by
a sutra dubbed 'Knots,' that Laing came across
while perusing Sufi literature. Laing had already
been jotting down his observations and insights
into relational 'knots' for years and kept them in
a folder. The image 'knots' appealed to Laing's
phenomenological sensibility, and that proclivity
for taking something common, teasing out certain
qualities, thus bringing forth a new way of
relating and understanding the phenomenon in
question. He notes that knots are "strangely
familiar" and tend to be associated with "tangles,
fankles, impasses, disjunctions,
whirligogs, binds." The dynamic twists, turns, and
convolutions inherent in relationships are played
out in the dialogue-scenarios of the characters
Jack and Jill.
This
book continues and deepens Laing's research into
how the other defines one's personality.
Knots was not written in a more formal
academic style, but is more poetic and playful. The
publishing companies in England as well as the USA
did not know whether to classify it as poetry,
philosophy, or psychology.
Unlike
some of his other writing, Knots appealed
to a wide audience and won immediate acceptance
with the American audience. Within the first few
weeks of its release in America, it sold 75,000
copies. Laing was pleased that this book appealed
to people in the mental health community, as much
as it did to the average intelligent reader.
Knots later became a play, radio show, and
a film.
Writing
this book was a gamble for Laing and he knew that
it would either be very positively received or not
a success at all. At the time, he felt that he had
done enough research into schizophrenia and
families, and Knots allowed him more creative
expression and a bridge out of psychiatry. In
R.D. Laing: A Biography, Laing's son,
Adrian, notes that Laing spent more time on
Knots than any other book, noting that his
father had painstakingly worked through eight
handwritten drafts.
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Contents
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Foreword
90
pp.
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